7 Shocking Facts About Jonathan Bailey's King Lear Role And His Explosive Return To Shakespeare

The theatrical career of Jonathan Bailey is a masterclass in versatility, shifting seamlessly from the romantic lead of *Bridgerton* to the demanding roles of classical theatre. As of December 2025, while the buzz is all about his upcoming title role in *Richard II* and his part in the *Wicked* films, fans are looking back at a pivotal moment in his stage journey: his critically acclaimed performance as Edgar in the 2017 production of Shakespeare's tragedy, *King Lear*. This role, performed alongside a theatrical titan, cemented his status as a serious dramatic actor long before he became a global screen sensation. This deep dive explores the specifics of that seminal *King Lear* production, the intense character work required for Edgar, and how this experience directly paved the way for his triumphant return to the London stage in a new Shakespearean title role, proving his commitment to the craft runs far deeper than his recent screen fame.

Jonathan Bailey: A Complete Biographical Profile

Jonathan Bailey's journey from child star to global phenomenon is marked by a consistent dedication to both screen and stage, earning him an Olivier Award and a reputation for immense range.

• Full Name: Jonathan Stuart Bailey
• Date of Birth: 25 April 1988
• Place of Birth: Wallingford, Oxfordshire, England
• Nationality: British
• Education: Magdalen College School, Oxford; Open University (briefly)
• Early Career: Began acting professionally at age seven. His first major role was Tiny Tim in a 1995 Royal Shakespeare Company (RSC) production of *A Christmas Carol*.
• Breakthrough Stage Role: Played Gavroche in a West End production of *Les Misérables*.
• Major Stage Roles:
  • *King Lear* (2017) as Edgar
  • *Company* (2018-2019) as Jamie
  • *Richard II* (Upcoming 2025) as King Richard II
• Major Screen Roles:
  • *Broadchurch* (2013-2015) as Olly Stevens
  • *Crashing* (2016) as Sam
  • *Bridgerton* (2020–) as Anthony, Viscount Bridgerton
  • *Fellow Travelers* (2023) as Tim Laughlin
  • *Wicked* (2024 & 2025) as Fiyero
• Awards: Olivier Award for Best Actor in a Supporting Role in a Musical for *Company* (2019).

The 2017 King Lear Production: A Crucible for Classical Talent

Jonathan Bailey’s involvement in *King Lear* was a significant moment in his theatre career, placing him on stage with one of the greatest living Shakespearean actors, Sir Ian McKellen. This was not a minor role; Edgar is one of the play's most complex and demanding parts.

1. Co-Starring with a Legend: Sir Ian McKellen

The production, directed by Jonathan Munby, was first staged at the Chichester Festival Theatre in 2017 before transferring to the Duke of York's Theatre in London's West End in 2018. Bailey played Edgar, the legitimate son of the Earl of Gloucester, opposite Ian McKellen in the title role of King Lear. Sharing a stage with McKellen, who was reprising the role for the first time since 2007, provided an invaluable experience for Bailey, highlighting his commitment to serious classical drama.

2. The Challenge of Playing Edgar

Edgar's character arc is one of the most transformative in Shakespearean tragedy. He begins as a naive, trusting nobleman who is falsely accused and forced to flee. To survive, he adopts the disguise of "Poor Tom," a mad beggar. Bailey’s performance was praised for navigating this dramatic duality: the elegant, wronged son and the tormented, nearly feral 'Poor Tom.' The role requires intense physical and psychological commitment, especially during the famous storm scenes.

3. A Critical Stepping Stone

While the production itself received mixed reviews upon its transfer, Bailey's work was often singled out as a strong point, showcasing his ability to hold his own in a high-profile Shakespearean ensemble. This role provided a crucial bridge between his earlier, smaller theatre work and the major West End success that would follow, namely his Olivier Award-winning performance in Stephen Sondheim's *Company* in 2018.

The Classical Resurgence: From Edgar to Richard II

The *King Lear* experience serves as a perfect prologue to Jonathan Bailey's current and upcoming theatrical endeavors, particularly his highly anticipated return to Shakespeare. His recent career trajectory demonstrates a deliberate choice to balance massive global screen fame with challenging, prestigious stage work.

4. The *Bridgerton* Effect on Stage

After achieving worldwide recognition as Anthony Bridgerton, Bailey has used his elevated platform to champion theatre. His commitment to the stage is evident in his choice of projects, which are often challenging and artistically significant. His return to classical theatre after *Bridgerton* and the *Wicked* films highlights his dedication to his craft beyond Hollywood blockbusters.

5. The New Title Role: King Richard II

The most current and exciting news for theatre fans is Bailey's upcoming role as King Richard II. This production, directed by Nicholas Hytner, is set to run at the Bridge Theatre in London from February to May 2025. Moving from the supporting, albeit complex, role of Edgar to the title character of *Richard II* marks a massive elevation in his classical career.

6. Thematic Contrast: Madness vs. Monarchy

The transition from Edgar to Richard II offers a fascinating thematic contrast. Edgar is a man who pretends to be mad to survive, while Richard II is a monarch whose self-destructive narcissism and poor governance lead to his downfall and deposition. Both roles demand an actor capable of portraying profound psychological breakdown and vulnerability, showcasing Bailey's dramatic range. The *Richard II* production is one of the most anticipated theatre events of 2025.

7. Cementing His Theatre Legacy

For an actor whose early career was steeped in the Royal Shakespeare Company, returning to lead Shakespearean roles is a natural and powerful statement. His performance in *King Lear* as Edgar proved his classical chops, and his upcoming *Richard II* will solidify his position as one of the most important stage actors of his generation. This commitment to the classics ensures that his legacy will be defined not just by the romance of the Regency era, but by the depth of his dramatic performances on the world's most prestigious stages.