25 Lost Lady Gaga Songs: The Unreleased Tracks And MAYHEM Leaks Little Monsters Still Obsess Over

For over a decade, the vault of unreleased Lady Gaga music has been a source of intense fascination, speculation, and obsession for her dedicated fanbase, the Little Monsters. As of December 17, 2025, the discourse around these lost tracks has reached a fever pitch, driven by recent controversies, new placeholder album titles, and the enduring quality of songs that were simply too avant-garde or personal for their intended album eras.

This deep dive explores the most iconic unreleased Lady Gaga songs, the context of their creation, and the current, fresh news surrounding mysterious leaks like the 'MAYHEM' tracklist. These songs, spanning from the *The Fame* era to her most recent studio sessions, offer a raw, unfiltered look into the mind of one of pop music's greatest chameleons, demonstrating her incredible work ethic and the sheer volume of material she creates for every project.

The MAYHEM Controversy: Decoding Lady Gaga's Latest Unreleased Tracks Leak

In a bizarre turn of events that has dominated fan discussions in late 2024 and 2025, several unreleased Lady Gaga tracks appeared on her official YouTube "Topic" channel under the placeholder album title 'MAYHEM.' This incident provided a fresh wave of material for fans but also sparked confusion and controversy.

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The tracks, which included highly anticipated titles, were not officially uploaded by Lady Gaga or her team. Instead, the consensus among fans and music industry observers suggests the tracks were uploaded by a third party—likely using an independent music distributor like DistroKid—to the automated "Lady Gaga - Topic" channel, a common vulnerability for artists with large catalogs.

The 'MAYHEM' tracklist, which is believed to be a mix of older outtakes and possibly newer material, briefly featured several previously unheard or highly sought-after songs before being removed. This incident highlights the ongoing battle between artists and the digital leaks that plague the music industry, transforming a simple album placeholder into a major news story.

Key 'MAYHEM' Tracks and Fan Theories

While the full extent of the 'MAYHEM' leak is still being cataloged by the fanbase, several titles immediately garnered attention, suggesting they were intended for different album cycles, including the rumored LG7 or earlier projects:

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• "The Greatest Thing (Ft. Cher)": This legendary collaboration with the pop icon Cher has been a source of fan curiosity for over a decade. Its appearance on the 'MAYHEM' list reignited hopes for an official release, even if the audio was a low-quality leak.
• "Freakshow": A title that hints at the theatrical, dark-pop aesthetic of the *Born This Way* or *ARTPOP* eras, suggesting an aggressive, dance-floor-ready anthem.
• "Second Time Around": Another track that appeared in the leak, the title suggests a more reflective or ballad-like structure, contrasting with the high-energy pop Gaga is known for.
• "Unknown MAYHEM Outtake 4": The fact that fans are already assigning placeholder titles to tracks from 2023 or 2024 shows how quickly new material enters the unreleased canon, fueling speculation about her seventh studio album (LG7).

The Holy Trinity of Unreleased Gaga Anthems: Classics That Define the Vault

Beyond the current 'MAYHEM' drama, Lady Gaga's unreleased discography is defined by a handful of tracks that have achieved legendary status among Little Monsters. These songs are not just simple B-sides; they are fully realized, high-quality productions that, for various reasons, were cut from their respective albums, becoming the gold standard for leaks.

1. "Stuck On Fuckin' You" (The Born This Way Outtake)

This is arguably the most famous and beloved unreleased song, and it has a unique origin story. "Stuck On Fuckin' You" was written by Lady Gaga in August 2010 while she was on her Monster Ball Tour bus in Minnesota.

The track, produced by Fernando Garibay and DJ White Shadow, is a raw, garage-rock-meets-pop anthem that perfectly captures the gritty, rebellious spirit of the *Born This Way* era. In a rare move, Gaga herself released the demo version of the song to fans as a Christmas gift in 2011, making it one of the few unreleased tracks she has personally acknowledged and shared.

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2. "Brooklyn Nights" (The ARTPOP Fan-Favorite)

As an outtake from the highly experimental and controversial *ARTPOP* album (2013), "Brooklyn Nights" is a nostalgic, synth-heavy ballad that many fans believe should have been the album's emotional centerpiece.

Gaga first teased the song title on Twitter in September 2013, building massive anticipation. The track, which celebrates her roots and the gritty romance of her hometown, eventually leaked in full, becoming a staple in fan-made playlists and a symbol of the *ARTPOP* material that was left on the cutting room floor. Its emotional depth and soaring chorus have cemented its place as a quintessential unreleased Gaga track.

3. "Nothing On (But The Radio)" (The Enduring Pop Gem)

This track is a masterclass in classic pop songwriting that has transcended multiple album eras. "Nothing On (But The Radio)" was originally written in 2007 by legendary songwriters Billy Steinberg and Josh Alexander.

Lady Gaga recorded her version around 2010, during the sessions for *Born This Way*. The song is a catchy, uptempo dance-pop track with a universally appealing hook, making it a surprising omission from the final album. The track's enduring commercial appeal is so strong that there were recent rumors of a re-recording by other artists, demonstrating its timeless quality and potential as a radio hit.

The Deep Cuts: More Essential Unreleased Lady Gaga Entities

The unreleased vault contains hundreds of tracks, demos, and snippets. To truly appreciate the breadth of Gaga’s musical journey, one must explore these deeper cuts, which often reveal the creative direction and influences that shaped her official albums. These songs serve as vital connective tissue between her major eras.

• "Changing Skies": A track often associated with the early *The Fame* era, showcasing her initial blend of electronic and pop sensibilities.
• "Living On The Radio": Another early demo that highlights her pre-fame pop-rock influences before she fully embraced the electro-pop sound.
• "Posh Life": A track title that suggests the glamorous, high-fashion world of *The Fame Monster*, embodying the excess and theatricality of her early image.
• "Then You'd Love Me (Earthquake)": This track is a favorite among fans for its dramatic, powerful sound, often speculated to be a precursor to the epic scale of the *Born This Way* album.
• "Animal": A well-known outtake, sometimes referred to as "Animal (Alternative Mix)," which showcases a different, grittier side of the *Born This Way* sessions.
• "Tea": A song rumored to be from the *ARTPOP* sessions, with a title that perfectly fits the playful, often controversial, and meme-worthy nature of that era.
• "Glitter and Grease": A track that embodies the high-octane, rebellious spirit of the *Born This Way* period, often cited as a missed opportunity for a single.
• "Red Flame (Ft. Azealia Banks)": A high-profile collaboration that was never officially released, adding another layer of mystery to her collaborative projects.
• "Second Time Around": (As mentioned in the 'MAYHEM' leak) A track that demonstrates the sheer volume of high-quality material that doesn't make the final cut.
• "Out of Control": A title suggesting a powerful, high-energy dance track, likely an outtake from the *Chromatica* or *ARTPOP* era where dance music reigned supreme.

The Enduring Legacy of the Unreleased Vault

The existence of a vast, high-quality unreleased discography is a testament to Lady Gaga’s prolific talent and her rigorous creative process. For every meticulously crafted album like *The Fame Monster*, *Joanne*, or *Chromatica*, there is a mountain of material left in the vault. These unreleased songs, whether they are raw demos or fully produced anthems, offer an invaluable glimpse into the evolution of Stefani Germanotta into the global superstar Lady Gaga.

For Little Monsters, the quest for these tracks is a continuous treasure hunt, turning every leak—from the accidental 'MAYHEM' uploads to the decade-old sound snippets—into a major cultural event. They represent the road not taken, the alternate musical universes that could have been, and they solidify Gaga's status as an artist whose creative output is so immense that even her cast-offs are considered masterpieces.