The Visitor, The Movie Critic, And The 5 Most Likely Candidates For Quentin Tarantino's Final Film

The search for Quentin Tarantino's tenth and final film has taken a dramatic, unexpected turn, leaving the entire film world in suspense. For months, the consensus was that *The Movie Critic*, a 1977-set story about a cynical film reviewer, would be his cinematic swan song. However, in a move perfectly suited to his unpredictable, auteur persona, Tarantino officially scrapped the project, leaving the coveted 'Final Film' slot wide open and reigniting speculation about a number of long-dormant, unmade projects. The latest rumors suggest a production start could be slated for as early as December 2025, but as of today, December 17, 2025, the script remains a mystery.

The intense curiosity surrounding his next move has even brought a deep-cut title like "The Visitor" back into the conversation, a name that speaks less to a confirmed project and more to the director's lifelong, encyclopedic obsession with obscure genre cinema. While the world waits for the official announcement, an examination of his unmade screenplays and deepest influences provides the best clues as to what his final masterpiece might be.

Quentin Tarantino: A Brief Biographical Profile

Quentin Jerome Tarantino is one of the most celebrated and influential filmmakers of his generation, known for his non-linear storylines, stylized violence, sharp dialogue, and deep-seated reverence for pop culture and film history. His career is characterized by a commitment to the "10-film retirement" rule, which he has publicly stated will cap his directorial output.

• Shania Twains Bold Statement Why The Star Chose Nude Photoshoots At 57 Qf9cg

• Full Name: Quentin Jerome Tarantino
• Born: March 27, 1963, in Knoxville, Tennessee, U.S.
• Occupation: Filmmaker, Actor, Author, Film Historian, Restaurateur (Owner of the New Beverly Cinema).
• Key Directorial Works: *Reservoir Dogs* (1992), *Pulp Fiction* (1994), *Jackie Brown* (1997), *Kill Bill: Vol. 1* (2003), *Kill Bill: Vol. 2* (2004), *Death Proof* (2007), *Inglourious Basterds* (2009), *Django Unchained* (2012), *The Hateful Eight* (2015), and *Once Upon a Time in Hollywood* (2019).
• Major Awards: Two Academy Awards (Best Original Screenplay for *Pulp Fiction* and *Django Unchained*), a BAFTA Award, a Golden Globe Award, and the Palme d'Or at Cannes for *Pulp Fiction*.
• Wife: Daniella Pick (m. 2018).
• Current Status: Actively searching for the script for his tenth and final directorial feature film after cancelling *The Movie Critic*.

The Myth of 'The Visitor' and Tarantino's Deep-Cut Influences

The title "The Visitor" is not currently listed among Quentin Tarantino's known unmade screenplays or announced projects. Instead, its connection to the director lies in his deep appreciation for the 1979 Italian-American sci-fi horror film of the same name, directed by Giulio Paradisi.

The film, a bizarre mix of *The Exorcist*, *Close Encounters of the Third Kind*, and cosmic horror, has become a cult classic, largely due to its rediscovery and restoration by Drafthouse Films. Tarantino, a known champion of obscure and exploitation cinema, has often cited his formative years in the late 1970s and early 1980s as a major influence, frequently discussing the films he saw in 1979.

For a filmmaker whose work is a tapestry of cinematic references—from spaghetti westerns to kung fu flicks—the 1979 version of *The Visitor* represents the kind of gritty, genre-bending, and often overlooked cinema that fuels his unique style. The mention of "The Visitor" in the context of his final film is less a leak of a new script and more a sign that fans are desperately searching the director’s entire cinematic history—including his favorite films—for clues about his final act.

• The Surprise Vegas Wedding And Shared Grief 5 Shocking Details Of John Schneider And Dee Dee Sorvinos Whirlwind Romance Ohirf

The New Race for Number 10: Candidates for Tarantino's Final Masterpiece

With *The Movie Critic* shelved, the door is open for a number of highly anticipated, long-rumored, or completely new projects to take the coveted final spot. The speculation is intense, and the following five candidates represent the most likely or intriguing possibilities for his final film.

1. The Ghost of *The Movie Critic* (A Revised Version)

The sudden cancellation of *The Movie Critic* was a shock, especially since the film was reportedly set to star Brad Pitt and was deep into pre-production. Tarantino's reason for scrapping it was vague, but it's not uncommon for him to abandon a project only to return to it later with a new perspective. The original premise, set in 1977 California and focusing on a cynical film critic who writes for a pornographic magazine, is classic Tarantino territory. It's entirely possible he will rework the script, perhaps changing the setting or the main character, to make it feel more final and less like a minor footnote in his career.

The film's focus on the 1970s—a period of deep nostalgia for the director—and its meta-commentary on cinema itself made it a perfect thematic conclusion. If he can overcome the creative hurdle that led to its cancellation, a revised version of *The Movie Critic* remains a strong contender for his tenth film.

• The Unseen Story Jessica Simpsons Battle For Privacy And Body Image In A Digital Age Mlvqa

2. *Double V Vega* (The Ultimate Crossover)

The most legendary of Tarantino's unmade projects is *Double V Vega*, a proposed prequel/sequel that would have united the brothers of two of his most iconic characters: Vincent Vega (John Travolta in *Pulp Fiction*) and Vic Vega, a.k.a. Mr. Blonde (Michael Madsen in *Reservoir Dogs*). The concept would see the Vega Brothers running a club or a casino, likely in Amsterdam, before their untimely deaths in their respective films.

While the project was shelved years ago due to the aging of the actors—both characters died in the original films, meaning a prequel would require de-aging technology or a significantly altered timeline—the fan demand for this crossover remains immense. Bringing back Travolta and Madsen for a final, violent, and dialogue-heavy romp would be the ultimate gift to his most devoted fans, providing a definitive narrative link between his first two masterpieces.

3. *Kill Bill: Vol. 3* (The Bride's Daughter)

The saga of Beatrix Kiddo, The Bride (Uma Thurman), is one of the most beloved in modern cinema, and Tarantino has repeatedly teased a third installment. The proposed plot would focus on the adult daughter of Vernita Green, who witnessed The Bride kill her mother in *Vol. 1*, seeking revenge years later.

Tarantino has expressed that he wants to give The Bride and her daughter a long period of peace before the revenge plot begins, suggesting a significant time jump. Casting The Bride’s daughter is a major point of fan speculation, with Maya Hawke (Uma Thurman's real-life daughter) being a popular and highly meta choice. A *Kill Bill* conclusion would be a massive, crowd-pleasing, and commercially successful finale, providing the kind of epic scope his final film demands.

4. *Killer Crow* (The *Inglourious Basterds* Spinoff)

Before *The Hateful Eight*, Tarantino considered a project called *Killer Crow*, which was initially conceived as a spinoff or sequel to *Inglourious Basterds*. This film would have focused on a squad of African-American soldiers who are court-martialed and sent on a near-suicide mission behind enemy lines. The concept is essentially a gritty, World War II version of *The Dirty Dozen* filtered through Tarantino's lens.

While the project has been on the back burner for years, a return to the WWII setting would allow Tarantino to deliver the kind of explosive, ensemble action film that he excels at, while also tackling a new historical period with his signature revisionist style. It offers a fresh setting and a new cast of characters, avoiding the pressure of concluding an established franchise.

5. An Untitled 1970s Horror or Exploitation Film

The deep-cut reference to films like *The Visitor* (1979) and his scrapped *Movie Critic* project confirms Tarantino’s current obsession with the 1970s and the raw, gritty aesthetic of that era. Given his love for the genre films of the time—from blaxploitation to giallo and horror—his final film could be a completely new, original screenplay that leans into one of these genres.

Imagine a final film that is a pure, unadulterated 1970s slasher or a supernatural thriller, featuring extended dialogue, a killer soundtrack, and a shocking, violent climax. Such a film would allow him to end his career by paying homage to the very exploitation cinema that first inspired him, completing a full circle from his early days working at a video store to becoming a cinematic legend.

The search for Quentin Tarantino's final film is now a global guessing game. While the production timeline—rumored to potentially start in late 2025—suggests an announcement is imminent, the director is famously in "no hurry." Whatever he chooses, the tenth film will not just be another movie; it will be the definitive final statement from one of the most influential filmmakers in history, a project that will be scrutinized and celebrated for decades to come.