Few addresses in Los Angeles carry the weight of rock 'n' roll history quite like 6416 Rodgerton Dr. Tucked away in the desirable Hollywood Hills—specifically the Beachwood Canyon area—this seemingly modest Mid-Century Modern home is a legendary piece of the 1960s music scene, a quiet sanctuary that once housed two titans of American folk-rock and pop: Peter Tork of The Monkees and Stephen Stills of Crosby, Stills & Nash (CSN).
As of December 14, 2025, the property remains an off-market jewel, a testament to the enduring appeal of its architectural style and its unparalleled celebrity provenance. Its current estimated value and historical significance place it firmly in the pantheon of Los Angeles's most musically notorious real estate, a place where the counterculture sound of Laurel Canyon was arguably born.
The Residents: Peter Tork and Stephen Stills Biography
The true value of 6416 Rodgerton Dr is not just in its square footage or view, but in the incredible history forged within its walls by its two most famous occupants.
- Peter Halsten Thorkelson (Peter Tork)
- Born: February 13, 1942, Washington, D.C.
- Died: February 21, 2019, Mansfield, CT.
- Career Highlights: Best known as the keyboardist and bass guitarist for the iconic 1960s pop-rock band, The Monkees. He was a talented multi-instrumentalist who brought a genuine folk sensibility to the manufactured pop group.
- Connection to Rodgerton Dr: Tork purchased the home during the height of The Monkees' fame, establishing it as his first residence in the Hollywood Hills.
- Stephen Arthur Stills
- Born: January 3, 1945, Dallas, Texas.
- Career Highlights: A founding member of two influential bands: Buffalo Springfield and the supergroup Crosby, Stills & Nash (later Crosby, Stills, Nash & Young). He is a prolific songwriter and guitarist, ranked among *Rolling Stone*'s "100 Greatest Guitarists."
- Connection to Rodgerton Dr: Stills lived with Tork at the Rodgerton Drive home before achieving massive success with CSN, making the house a genuine melting pot of the burgeoning Laurel Canyon music scene.
- The Shared History: Tork and Stills were friends before their respective bands took off. Stills had actually auditioned for The Monkees but was turned down, reportedly because the producers thought he was too established. Tork, who was recommended by Stills, got the gig, and their shared residence became a nexus point for the era's musical elite.
The Mid-Century Modern Architecture and Design
Beyond its rock 'n' roll pedigree, the house at 6416 Rodgerton Dr is a quintessential example of the post-war architectural movement that defined Los Angeles. Built in 1960, the structure embodies the clean lines, open spaces, and integration with nature characteristic of Mid-Century Modern design.
Key Architectural Features
The home is a two-story, 1,527 square-foot single-family residence featuring 2 bedrooms and 2 bathrooms (or 1.5 baths, depending on historical records).
- Contemporary Style: While often categorized as Mid-Century Modern, it is also described as a Contemporary style home, reflecting the period's shift toward functional, unadorned design.
- Indoor-Outdoor Flow: A hallmark of the style, the upper floor features a wall of sliding glass doors. These doors open directly onto a long balcony, seamlessly blending the interior living space with the dramatic canyon and city views.
- Natural Light: The design prioritizes natural light, creating a bright and airy atmosphere—a perfect contrast to the surrounding dense Hollywood Hills foliage.
- The Vibe: Descriptions of the home frequently mention its great light, quiet area, and the presence of a fireplace in the living room, features that would have been highly desirable for the musicians seeking a creative and tranquil retreat from the chaos of fame.
This architectural choice is significant; the Mid-Century homes of the Hollywood Hills and Laurel Canyon were not just houses, but creative crucibles. Their open, unpretentious designs fostered the collaborative, free-spirited environment that defined the 1960s music scene, making 6416 Rodgerton Dr a physical artifact of that cultural moment.
Real Estate Status and Historical Valuation
Tracking the value of a property with such a unique history provides a fascinating glimpse into the evolution of the Los Angeles real estate market, particularly in the highly sought-after 90068 zip code.
The Property’s Financial Timeline
The home's recorded sales history shows a significant appreciation, even though the last documented sale is over two decades old:
- Last Sale (2003): The property was last sold for $610,000 in May 2003.
- Current Estimated Value: As of recent estimates, the home's value is placed in the range of approximately $1.58 million, reflecting the general surge in Los Angeles real estate values, especially for architecturally significant homes in the Hollywood Hills.
- Rental Market: Though currently off-market for sale, the property has been listed for rent, with an estimated monthly rental price around $4,159, indicating its continued desirability as a high-end rental property.
The fact that the home has not changed hands in over twenty years suggests that the current owners, Eric J. Smith and his partner, appreciate its value, both monetary and historical.
The Laurel Canyon Connection: A Cultural Landmark
6416 Rodgerton Dr is not an isolated piece of history; it is intrinsically linked to the legendary Laurel Canyon and Beachwood Canyon communities. This area was the epicenter of a musical revolution in the 1960s and 70s, a bohemian enclave where artists like Joni Mitchell, Graham Nash, Frank Zappa, and Jim Morrison lived and collaborated.
The Rodgerton Drive residence served as a pivotal point in this network. The presence of Peter Tork and Stephen Stills—one from the world of manufactured pop and the other from the emerging folk-rock scene—symbolizes the blending of musical genres that defined the era. The house's location, high above the main canyon, offered the privacy and inspiration necessary for creative work while remaining close to the social hub of the music community. It is a true cultural landmark, a silent witness to the formative years of some of the most influential music ever recorded.
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