DuJour Means Reunion? Why The Boy Band From Josie And The Pussycats Is Still Pop Culture Gold

The fictional boy band DuJour, the ridiculously handsome and hopelessly manufactured pop group from the 2001 film Josie and the Pussycats, has re-emerged in the pop culture conversation as of late, proving that their legacy is far from over. As of late 2025, the film that was once a box-office flop has cemented its status as a misunderstood masterpiece and a prescient satire of consumerism, thanks in no small part to the band that disappears in the movie’s opening minutes. The latest buzz centers on a potential reunion, an idea floated by the actors themselves, which has sent fans of the cult classic into a frenzy.

The film, written and directed by Harry Elfont and Deborah Kaplan, was far ahead of its time in skewering the music industry's corporate machine and product placement. DuJour served as the perfect, glitter-clad sacrificial lamb, a symbol of the disposable, focus-grouped pop music of the early 2000s that paved the way for the true rock stars, Josie and the Pussycats. Their brief but memorable appearance has made them one of the most iconic fake bands in cinematic history.

DuJour: The World’s Number One Boy Band Profile

DuJour, which literally means "of the day" in French, perfectly captured the fleeting nature of pop stardom. The band was introduced as the world’s number one musical act, managed by the sinister MegaRecords executive Wyatt Frame (played by Alan Cumming). Their sudden, mysterious disappearance after a plane crash sets the entire satirical plot in motion, allowing the struggling Pussycats to take their place. The band was a clear parody of the era's biggest boy bands, such as *NSYNC and the Backstreet Boys.

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The four members of DuJour were played by a quartet of well-known actors, many of whom were already staples of teen movies and comedy. Their combined star power added a layer of comedic genius to the parody, making their over-the-top performances instantly memorable.

• Band Name: DuJour
• Genre: Manufactured Pop / Boy Band Parody
• Manager: Wyatt Frame (Alan Cumming)
• Record Label: MegaRecords
• Key Songs: "Backdoor Lover," "DuJour Round the World"
• Fictional Status: Disappeared after a "terrible" plane crash over the Atlantic Ocean.

The DuJour Band Members and Their Real-Life Actors

The actors who played DuJour were a powerhouse of early 2000s talent, whose subsequent careers have only added to the band's nostalgic appeal:

• Seth Green (as Travis): Green, known for his roles in *Buffy the Vampire Slayer* and the *Austin Powers* franchise, played one of the central members, Travis. He is also the co-creator of the Emmy-winning stop-motion comedy series *Robot Chicken*.
• Breckin Meyer: An actor famous for *Clueless*, *Road Trip*, and later, *Franklin & Bash*. Meyer's involvement solidified the band's comedic credentials.
• Donald Faison: Best known for his long-running role as Dr. Christopher Turk on the hit sitcom *Scrubs*. Faison brought his signature comedic energy to the boy band dynamic.
• Alexander Martin: Martin rounded out the quartet, providing the necessary four-member aesthetic common in boy bands of the time.

The Cult Status of a Satirical Masterpiece

While *Josie and the Pussycats* was a box-office disappointment upon its release in 2001, it has enjoyed a massive resurgence in popularity, becoming a beloved cult film over the past two decades. Its critical reassessment highlights its sharp, meta-commentary on commercialism and the music industry.

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The film opens with a barrage of product placement—a deliberate and satirical choice that critics initially misinterpreted as the film selling out. In reality, the movie was using this aggressive advertising to critique the very concept of corporate control over art. DuJour is the ultimate product: a band engineered for maximum profit, whose music is merely a vehicle for subliminal messaging designed to increase consumer spending.

The band’s songs, "Backdoor Lover" and "DuJour Round the World," are pitch-perfect parodies. They are catchy, vapid, and entirely focused on image and superficial romance, perfectly embodying the film’s central theme of authentic art versus manufactured pop. The soundtrack, which features music from both DuJour and the Pussycats, is considered a standout of the early 2000s.

Topical Authority: The Prescient Boy Band Parody

DuJour’s existence is crucial to the film’s topical authority on the music industry. They represent the "old guard" of corporate-controlled pop that must be eliminated for the authentic, female-led rock of Josie McCoy (Rachael Leigh Cook), Valerie Brown (Rosario Dawson), and Melody Valentine (Tara Reid) to succeed. This narrative structure allows the film to explore deeper themes, such as:

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• Subliminal Messaging: The core plot revolves around MegaRecords using music to transmit hidden messages to teenagers.
• Corporate Control: The shadowy organization led by Fiona (Parker Posey) and Wyatt Frame controls global youth culture.
• Authenticity vs. Image: The contrast between DuJour's polished, fake image and the Pussycats' genuine, garage-band sound.

Could a DuJour Reunion Actually Happen?

The most exciting and current news for fans of DuJour is the possibility of a reunion. Given the film’s cult status and the current trend of nostalgic reboots and revivals, the idea is no longer just a joke.

The conversation was sparked recently by the original cast members. Seth Green, Breckin Meyer, and Donald Faison, who are long-time friends and collaborators (often on *Robot Chicken*), have openly discussed the idea. In a recent interview, Seth Green expressed interest in a reunion, and Donald Faison even suggested it could be the plot of a new film.

Faison was quoted as saying, "That would be a good movie to come out—the DuJour reunion," suggesting a narrative where the band somehow survives their plane crash and returns to a completely different music landscape, perhaps to challenge the now-famous Pussycats.

While no official production is in the works, the public enthusiasm from the main actors is a powerful signal. A DuJour reunion could take several forms:

• A Feature Film Sequel: Focusing on the band's return and their struggle to adapt to the modern music world (a world that has since been saturated with the very boy band tropes they parodied).
• A Music Release: A new single or EP, possibly a modern take on their original songs, capitalizing on the current wave of Y2K nostalgia.
• A Comic Book Arc: Given the film's origins in Archie Comics, a new storyline could explore the fate of Travis and the rest of the band.

For a film that predicted the future of media and consumer culture—from the rise of reality television to the omnipresence of product placement—a DuJour reunion would be the ultimate meta-commentary, proving that even the most disposable pop act can achieve lasting cultural relevance. The fact that fans are still clamoring for more "Backdoor Lover" two decades later is a testament to the enduring genius of *Josie and the Pussycats*.