Marcia Cross: A Brief Biography and Profile
Marcia Cross, the actress who brilliantly brought the perfectionist and often-unhinged Bree Van de Kamp to life, has had a long and celebrated career in television and film. Her personal life, particularly her journey to becoming a mother, has inspired many.
- Full Name: Marcia Anne Cross
- Date of Birth: March 25, 1962
- Place of Birth: Marlborough, Massachusetts, U.S.
- Education: Juilliard School (MFA), Antioch University Los Angeles (Master's in Psychology)
- Spouse: Tom Mahoney (m. 2006)
- Children: Twin daughters, Eden and Savannah (b. 2007)
- Notable Roles: Dr. Kimberly Shaw Mancini on Melrose Place (1992–1997), Bree Van de Kamp on Desperate Housewives (2004–2012), President Harriet Cooper on Quantico (2015–2017).
- Age When Pregnant: 44 years old.
- Pregnancy Details: Conceived via fertility treatment and gave birth to fraternal twin girls.
Her marriage to stockbroker Tom Mahoney in June 2006 quickly led to the announcement of her pregnancy, which coincided directly with the filming schedule for the third season of her hit show, *Desperate Housewives*.
The Production Nightmare: Concealing a Twin Pregnancy in Season 3
The third season of *Desperate Housewives*, which aired from 2006 to 2007, became a masterclass in creative television production. Marcia Cross was pregnant with twins, a high-risk pregnancy that required constant vigilance and, eventually, a dramatic shift in filming protocols. The goal was simple: keep the show running smoothly without writing a pregnancy into the character of Bree Van de Kamp, who was newly married to Orson Hodge and certainly not expecting.
The production team, led by creator Marc Cherry, employed a number of increasingly elaborate techniques to hide her growing bump, which was particularly challenging due to the nature of a twin pregnancy and her age, which caused her to show sooner and more significantly.
1. The Art of the Strategic Prop and Costume
In the early stages of her pregnancy, the methods used to conceal Marcia Cross’s bump were the standard tricks of the trade, elevated to an art form by the show's wardrobe and prop departments. Bree Van de Kamp, known for her fitted, elegant, and often brightly colored shift dresses, suddenly found her style changing.
- The "Bree-Sized" Object: Cross was frequently seen carrying strategically placed props. This included large handbags, oversized grocery bags, floral arrangements, laundry baskets, and even serving trays laden with Bree’s signature baked goods. If Bree was standing, there was almost always an object between her and the camera.
- The Costume Shift: Her wardrobe evolved to looser, more voluminous clothing. High-waisted aprons, chunky knit sweaters, and empire-waist tops became the norm. The camera would often focus on her face and upper body, avoiding full-body shots that would reveal her changing silhouette.
2. Extreme Camera Angles and Framing
The cinematography in Season 3 became noticeably restrictive for scenes involving Bree. The directors and camera operators were tasked with ensuring the actress was never framed in a way that would reveal her midsection. This led to some visually awkward, but necessary, shots:
- The Head-and-Shoulders Rule: Much of her screen time was limited to shots from the chest up, focusing solely on her expressive face. This was particularly noticeable during scenes where the other housewives were shown in full.
- Sitting and Obscuring: Bree spent an unusual amount of time sitting at the kitchen table, behind a counter, or submerged in a bathtub. When she was required to stand, she was often positioned behind furniture, such as a sofa or an armchair, or even partially obscured by another cast member.
The Emergency Bed Rest: Filming the Final Episodes at Home
The most dramatic behind-the-scenes development occurred when Marcia Cross, who was 44 and carrying twins, was placed on immediate, mandatory bed rest by her doctors two and a half months before her due date in early 2007. This was a critical health concern that halted her ability to come to the Wisteria Lane set.
Instead of panicking, the production team made an extraordinary accommodation, demonstrating their commitment to their star. Marc Cherry and the crew decided to bring the set to her:
- The Home Set: The final episodes of Season 3 were partially filmed in a makeshift set constructed in Marcia Cross’s actual home in Los Angeles.
- The Creative Solution: To seamlessly integrate these scenes, they set up an exact replica of Bree’s bedroom set in a room in her house. This allowed the actress to film her remaining scenes while safely on bed rest. This required the other actors, including Kyle MacLachlan (Orson Hodge), to travel to her home for filming.
- The Stand-In: For shots that required Bree to be seen from a distance or to perform physical actions that Cross could not, a stand-in was used. This is why Bree’s face is often obscured or she is seen from the back in some of the later Season 3 episodes.
The Plot Twist That Explained Bree’s Disappearance
The physical constraints of the bed rest meant that even filming at home was not enough to sustain Bree’s presence in every episode. The writers had to create a plausible storyline to explain Bree’s sudden and extended absence from the main action of Wisteria Lane. This is where the plot of Bree and Orson's "honeymoon" came into play.
The storyline was simple but effective: Bree and Orson, shortly after their wedding, decided to take an extended, luxurious honeymoon. This trip conveniently removed the character from the primary neighborhood setting for several crucial episodes, allowing Marcia Cross to focus on her health and the impending birth of her daughters. The brief scenes filmed at her home were then woven into the narrative, showing her "on vacation" or in a secluded setting.
Marcia Cross gave birth to her twin daughters, Eden and Savannah Mahoney, on February 20, 2007. She returned to the set for Season 4, looking radiant and ready to resume Bree’s dramatic life, with the entire production team having successfully navigated one of the most challenging behind-the-scenes obstacles in the show's history. Her openness about using fertility treatments to conceive at 44, a journey she described as "difficult on the woman," has made her a powerful voice for women pursuing motherhood later in life.
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