Decoding The Supersonic: Why Eminem's 'Rap God' Fast Part Is Still A Lyrical Marvel (Even Though It's Not His Fastest Anymore)

Eminem’s "Rap God", released over a decade ago on his 2013 album *The Marshall Mathers LP 2*, remains one of the most iconic displays of technical rapping skill in music history. As of late 2024, the song’s legendary fast section continues to spark curiosity and debate among fans and critics alike, cementing Marshall Mathers III's place as a lyrical titan.

The track is a masterclass in syllable-slinging, but it is the blistering, nearly incomprehensible rapid-fire verse—the one that begins with "Uh, summa-lumma, dooma-lumma"—that truly became a cultural phenomenon. While it may no longer hold the title of the absolute fastest rap verse, its complexity, clarity, and sheer impact on hip-hop culture are unparalleled.

The Anatomy of the Supersonic Verse: Speed, Word Count, and Lyrical Breakdown

The "fast part" of "Rap God" is not just a gimmick; it is a meticulously constructed piece of lyrical engineering. It serves as the song's climax, a moment where Eminem—channeling his alter ego Slim Shady—proves his self-proclaimed title as the "Rap God" by demonstrating a technical proficiency no one else could match at the time. This section is a defining moment for the track, which itself holds a Guinness World Record for containing the most words in a hit single, clocking in at a staggering 1,560 words total.

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The 'Rap God' Fast Part by the Numbers

The legendary rapid-fire section occurs between the 4:26 and 4:42 mark of the song. Its metrics are what initially broke the internet and earned it global recognition:

• Duration: 15 seconds
• Word Count: 97 words
• Average Speed: 6.5 words per second (WPS)
• Syllables Per Second: Approximately 9.6 syllables per second (SPS)

This speed is often described by fans as "supersonic," a reference to the line that precedes the verse: "Lyrics comin' at you at supersonic speed (J.J. Fad)." The verse is not only fast but is also rhymed with incredible precision, maintaining clarity despite the dizzying pace.

The Full Fast Part Lyrics

To truly appreciate the artistry, one must see the lyrics in their entirety. The 97-word segment is a continuous, breathless flow that pushes the limits of human vocal agility. It is a dense, polysyllabic barrage of rhymes:

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Uh, summa-lumma, dooma-lumma, you assumin' I'm a human What I gotta do to get it through to you I'm superhuman? Innovative and I'm made of rubber so that anything You say is ricochetin' off of me and it'll glue to you I'm never givin' up, the only way I'm always tryin' to get you to Acknowledge that I'm acin' and I'm amazing and I'm going to Staple your tongue to you're taint 'less you're able to Say somethin' to save yourself, it's safe to say I slayed your doom Faggot, I'm sick of you, you don't know the limits, I'm a menace I'm a killer, I'm a villain, I'm a winner, I'm a sinner, I'm a god What I'm sayin' is you never know which version of me you're getting You're a fan, but you're a critic, I'm a maniac, I'm a hypocrite I'm a psycho, I'm a psychopath, I'm a rap god

This verse showcases Eminem's trademark rhyming style, utilizing internal rhymes, multi-syllable rhymes, and a complex AAAA rhyming scheme that drives the momentum forward with relentless energy.

The New Speed King: How Eminem Broke His Own Record with 'Godzilla'

For years, the "Rap God" fast part was the undisputed benchmark for speed rapping. However, in a move that only the self-proclaimed Rap God could pull off, Eminem shattered his own record in 2020 with the song "Godzilla," featuring the late Juice WRLD. This update is critical for any modern discussion of his technical skill and topical authority.

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The third verse of "Godzilla" is now the official holder of the Guinness World Record for the fastest rap in a No.1 single, surpassing the metrics of "Rap God."

'Godzilla' vs. 'Rap God': The Ultimate Speed Comparison

While "Rap God" set the standard, "Godzilla" raised the bar significantly, proving that Eminem's skill continues to evolve even decades into his career. The numbers speak for themselves:

• 'Rap God' Fast Part (2013): 97 words in 15 seconds (6.5 WPS)
• 'Godzilla' Third Verse (2020): 225 words in 30 seconds (7.5 WPS)

The "Godzilla" verse averages 7.5 words per second, which translates to an astounding 10.93 syllables per second (SPS). This is a noticeable increase in speed and density over the already mind-bending "Rap God" verse. It demonstrates Eminem’s commitment to technical excellence and his competitive nature, even against his past self.

The Legacy and Cultural Impact of 'Rap God'

Despite being dethroned by "Godzilla," the "Rap God" fast part remains the more culturally significant moment for several reasons. It was the verse that introduced the concept of "supersonic speed" to a mainstream audience, inspiring countless reaction videos, covers, and attempts to replicate the flow.

A Tribute to Hip-Hop History

The song itself is a tribute to the history of hip-hop, with references to classic artists and moments, including the line "Lyrics comin' at you at supersonic speed (J.J. Fad)," which is a direct nod to the rap group J.J. Fad and their 1988 hit "Supersonic."

Topical Authority and Technical Mastery

The entire track is a showcase of technical rap elements that solidify Eminem's topical authority in the genre. Beyond the speed, "Rap God" features:

• Complex Rhyme Schemes: Using multiple syllables to rhyme, creating a dense, intricate sound.
• Breath Control: The ability to rap long, continuous lines without a noticeable break, a feat of vocal athleticism.
• Pop Culture References: Including references to Monica Lewinsky, Bill Clinton, and the fictional character Dale Earnhardt of the trailer park, anchoring the song in its time.

Ultimately, while the Guinness World Record for the fastest rap verse now belongs to "Godzilla," the "Rap God" fast part is the one that changed the conversation about technical rapping. It is the moment Marshall Mathers III, the Detroit legend, solidified his status not just as a successful rapper, but as a lyrical phenomenon whose technical skill is a benchmark for all who follow.